Sabtu, 31 Mei 2014

[M909.Ebook] Free Ebook Abducted into the Third Gender (Hijra, the Third Gender), by Yu Sakurazawa

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Abducted into the Third Gender (Hijra, the Third Gender), by Yu Sakurazawa

A Hijra Story
Abducted into the 3rd Gender
The son of a famous movie star is abducted by a mafia group for ransom. The father makes a series of mistakes in the "negotiation" of the mafia group, and as the result, the son is feminized.


Hijra, the Third Gender series consist of 8 fictions and a non-fiction.

Abducted into the 3rd Gender
A Dancer of the 3rd Gender
A Feminized President
Born into the 3rd Gender
Conspired into the 3rd Gender
Enchanted into the 3rd Gender
Forced into the 3rd Gender
Transgendered People of India (non-fiction)

[What is Hijra?]
Hijra is a word used in India and in other South Asian countries referring to male to female transgender individuals. A hijra would be adopted by a guru in the well organized transgender community believing in the same goddess and living in feminine attire. Rules and ceremonies for adoption, initiation, castration, etc. are well defined in the hijra community. Once you get nirvan (a castration ceremony often done without anesthesia) you cannot go back to your former self. Most hijras live under extremely poor economic conditions with very low status. The word hijra is often used in a derogatory manner. Few employment opportunities are available to hijras. Many get their income performing at ceremonies, begging and prostitution. Hijras face discrimination in health, housing, education, employment and other procedures which involve gender classification.

  • Sales Rank: #384550 in eBooks
  • Published on: 2015-07-12
  • Released on: 2015-07-12
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Control your temper or it will control you
By Samuel Rafael
An interesting and well written novella about a boy who inadvertantly crosses karmic boundaries and has his life forever altered in the process.

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  • Sales Rank: #12124423 in Books
  • Dimensions: 7.09" h x .71" w x 4.37" l,
  • Binding: Mass Market Paperback

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Kindred, by Octavia E. Butler

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin.

  • Sales Rank: #594 in Books
  • Brand: Beacon Press
  • Published on: 2003
  • Released on: 2004-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .80" w x 5.40" l, .76 pounds
  • Binding: Paperback
  • 264 pages
Features
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Review
Octavia Butler is a writer who will be with us for a long, long time, and Kindred is that rare magical artifact . . . the novel one returns to, again and again.—Harlan Ellison

"One cannot finish Kindred without feeling changed. It is a shattering work of art with much to say about love, hate, slavery, and racial dilemmas, then and now." —Sam Frank, Los Angeles Herald-Examiner

"In Kindred, Octavia Butler creates a road for the impossible and a balm for the unbearable. It is everything the literature of science fiction can be." —Walter Mosley

"Truly terrifying . . . A book you'll find hard to put down."—Essence

"Butler's books are exceptional . . . She is a realist, writing the most detailed social criticism and creating some of the most fascinating female characters in the genre . . . real women caught in impossible situations."—Dorothy Allison, Village Voice

"Butler's literary craftsmanship is superb."—Washington Post Book World

"One of the most original, thought-provoking works examining race and identity."—Lynell George, Los Angeles Times

This powerful novel about a modern black woman transported back in time to a slave plantation in the antebellum South is the perfect introduction to Butler's work and perspectives for those not usually enamored of science fiction. . .A harrowing, haunting story." —John Marshall, Seattle Post-Intelligencer

"No other work of fantasy or science fiction writings brings the intimate environment of the antebellum South to life better than Octavia E. Butler's Kindred." —Kevin Weston, San Francisco Chronicle

"A celebrated mainstay of college courses in women's studies and black literature and culture; some colleges require it as mandatory freshman reading." —Linell Smith, The Baltimore Sun

"Kindred is as much a novel of psychological horror as it is a novel of science fiction. . .a work of art whose individual accomplishment defies categorization." —Barbara Strickland, The Austin Chronicle

"A startling and engrossing commentary on the complex actuality and continuing heritage of American slavery." —Sherley Anne Williams, Ms.

"Her books are disturbing, unsettling… In a field dominated by white male authors, Butler's African-American feminist perspective is unique, and uniquely suited to reshape the boundaries of the sci-fi genre." —Bill Glass, L. A. Style

About the Author
Octavia E. Butler (1947-2006) was the author of many novels, including Dawn, Wild Seed, andParable of the Sower. She was the recipient of a MacArthur Award and a Nebula Award, and she twice won the Hugo Award.

Most helpful customer reviews

266 of 281 people found the following review helpful.
OUTSTANDING
By C. Baker
Book Review by C. Douglas Baker

KINDRED is one of those rare novels that grabs you by the throat and doesn't let you go until the very end. From the first sentence, Butler's simple, straightforward prose moves the story quickly making it nearly impossible for the reader to put down.

Dana, a black woman living in Los Angeles in 1976, is inexplicably transported to 1815 to save the life of a small, red-haired boy on Maryland's Eastern Shore. It turns out this small boy, Rufus, is one of her white slave owning ancestors, who she knows very little about. Dana continues to be called into the past to save Rufus, and frequently stays long periods of time in the slave owning South. The only way she can get back to 1976 is to be in a life threatening situation. During her stays in the past she is forced to assume the role of a slave to survive. She is whipped. She is beaten. She is nearly raped, twice. She is forced to watch whippings and families being broken up. She learns to enjoy hard work as an escape from the other horrors of slave life. And she watches as a fairly unassuming small son of a plantation owner grows up to be a cruel, capricious, hot-tempered slave owner in his own right. And to be her great-grandfather many generations removed.

KINDRED is about slavery and the scars it has inflicted on American society. There are really three key factors Butler focuses on that reveal the ability of the South to institutionalize slavery. First there is the physical abuse. The constant work, especially the physically exhausting work of a field hand, kept slaves too tired to run or become insolent. Being ever on the verge of a lash or two for minor offenses kept slaves working to avoid punishment. Being beaten nearly to death after escape attempts made a slave reluctant to try again; especially if this is coupled with the abuse of the slave's family. Then there is the psychological abuse. The continual threat of being beaten or watching others be beaten broke the spirits of those in bondage. The worst punishment was sometimes having to watch a family member abused for your transgression. Encouraging slaves to marry and have children also deadened their desire to escape. Families made the slave settle down, gave him or her something to protect and care for. The selling off of a few family members had a damping effect on a slave's spirit. A most poignant example is the slave Sarah, the primary house slave; "Weylin had sold only three of her children, left her one to live for and protect". She rarely questioned slavery, thought little of freedom, because "she had lost all she could stand to lose". The risk of losing the one daughter she had left was too great. Slaves that escaped had to be willing to risk not only their own life but possibly the lives of their family.

The physical and psychological abuse imposed on the slave made it so much easier to accept one's lot in life and avoid the unpleasantries that recalcitrance entailed. The ease with which Dana falls into the routines of everyday life as a slave shocks her. Work is a refuge from the other toils of slave life and the patterns become the norm. There is even an ambiguous feeling toward the slave owner. The slave owner is hated for the physical and psychological abuse imposed on the slave. But at the same time the slave loved the owner in a familial sense, even though the slave owner was seldom worthy of this. Thus slavery became for many the accepted norm of life, even if this acceptance was a tenuous and unhappy one at best. This acceptance was generational. Dana at one point espies children playing at selling each other on the auction block and haggling over price.

Many times throughout history sheer terror has been used to subdue a population and sap it of its strength. One only has to look at the Tsar's of Russia like Ivan the Terrible, Peter the Great, and Stalin to realize the extent to which terror can be used to subjugate a people. The Southern aristocracy of the United States practiced a similar terror till 1864 and beyond.

There is much historical evidence for the Butler's depiction of slavery and its effects. KINDRED is patterned after the slave narratives becoming more widely read today. These include Frederick Douglass' NARRATIVE OF THE LIFE OF FREDERICK DOUGLASS, AN AMERICAN SLAVE and Harriet A. Jacobs INCIDENTS IN THE LIFE OF A SLAVE GIRL. Butler could have depicted the beatings and physical abuse in more graphic detail to have a greater impact on the reader.

Slavery even has its effects in 1976. The scars Dana brings back to 1976 are symbolic of the scars slavery has left on contemporary society. Some will heal with time. Some can never heal. Others will scab over and be just below the surface. But they are all there. But in another sense healing has taken place. Dana is married to a white man, Kevin, who is transported to 1815 with her once. While there they both fall easily into the pattern or act of slave owner and slave concubine, roles they must assume to survive. The ease with which they fall into these roles brings about a greater consciousness of their ethnicity. But through this relationship Butler leaves the reader with hope. Dana's love for Kevin is what really pulls her through the most harrowing terrors she faces and in the end gives her the strength to survive this horrible test.

KINDRED is written at the young adult level and moves along at a brisk pace. I highly recommend it for teenagers and adults.

129 of 138 people found the following review helpful.
A Note on the Passing of Ms. Butler
By Laura B. Monteros
I heard today of the weekend passing of Octavia Butler. She is is in the "Hall of Fame" as an alumna of John Muir High School, Pasadena, which all four of my children attended.

"Kindred" was, for many years, required reading at Muir. It was through this connection that I was introduced to her writing by my daughter. She is my youngest son's favorite author, a tribute to her ability to transcend gender, race, and age in presenting ideas that no one else could ever have imagined. We were looking forward to meeting her as part of Pasadena's "One City, One Story" program which had chosen "Kindred" as this year's selection.

Butler was certainly not a "black author" in any limiting sense at all. She blasted open the SciFi gates of gender and color with her extraordinary vision, imagination, and courage. The choice of "Kindred" is a fitting tribute to the diversity of her hometowns of Pasadena and Altadena and the Pasadena Unifed School District in which she was educated.

It is rare that a passing of someone I have not personally met so saddens me. She is in a world without limits now.

61 of 65 people found the following review helpful.
A masterpiece from one of the essential sci-fi writers
By Michael J. Mazza
Octavia Butler's "Kindred" is a novel which fits into many literary niches. It could be seen as a milestone in both African-American literature and science fiction; it's also a novel with a lot for feminist readers and critics. But ultimately the power of this book allows it to transcend all labels.
"Kindred" tells the story of Dana, a 20th century African-American woman who is married to a white man. Throughout the book Dana is mysteriously thrust back and forth in time between her world and the world of her ancestors in the 19th century. She seems to be tied to one ancestor in particular: Rufus, the white son of a slaveowning family. Part of Dana's struggle is to deal with the utterly alien world of Rufus' slaveowning culture.
Butler brilliantly weaves many powerful themes into this gripping story: violence, sexual desire, race, literacy, language, law, and education. The story is peopled with well-developed characters who have complex, interconnected relationships. Butler vividly evokes how the slave system both physically brutalized blacks and psychologically warped whites.
Butler's prose is lean and muscular. She grips you from the stark opening lines: "I lost an arm on my last trip home. My left arm." The story is richly ironic and heartbreaking. "Kindred" is a compelling 20th century literary descendant of such important 19th century slave autobiographies as "Narrative of the Life of Frederick Douglass" and Harriet Jacobs' "Incidents in the Life of a Slave Girl"; it is also a significant "sister" text to 20th century works (like Toni Morrison's "Beloved") which also revisit the era of slavery. But Butler's ingenious use of a classic science fiction device (i.e. time travel) sets the book apart from all of these other literary explorations of slavery. Whether for classrooms, book reading circles, or individual readers, "Kindred" is a triumph to be treasured.

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Rabu, 28 Mei 2014

[B866.Ebook] Free Ebook Reading Poetry: An Introduction, by Tom Furniss, Michael Bath

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Reading Poetry: An Introduction, by Tom Furniss, Michael Bath

Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Successive chapters introduce key skills and critical or theoretical issues, enabling users to read poetry with enjoyment, insight and an awareness of the implications of what they are doing.

This new edition includes a new chapter on ‘Post-colonial Poetry’, a substantial increase in the number of end-of-chapter interactive exercises, and a comprehensive Glossary of poetic terms. Not just an add-on, the Glossary works as a key resource for the structuring of particular topics in any individual teaching or learning programme. Many of the exercises and interactive discussions develop not only the skills of competent close reading but also the necessary confidence and experience in locating historical and other contextual information through library or internet searches. The aim is to enhance readers' literary and scholarly competence – and to make it fun!

 

  • Sales Rank: #570975 in Books
  • Brand: Brand: Routledge
  • Published on: 2007-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.50" w x 6.70" l, 2.40 pounds
  • Binding: Paperback
  • 648 pages
Features
  • Used Book in Good Condition

Review

"Reading Poetry stands out from other introductions to poetry in its brilliant combination of practical guidance and theoretical savvy. Students who use this book will be helped to enjoy and discuss poems, introduced to some of the major varieties of poetic criticism, and invited to reflect on what makes poetry important today. Reading Poetry is, in my view, the best introductory book on the study of poetry available. " - Professor Derek Attridge, Universityof York

From the Publisher
Reading Poetry provides an introduction to the ideas and techniques that can help students produce informed and exciting readings of poetry. Many readers will have already acquired the basis for self-conscious and self-critical reading strategies through their everyday responses to popular culture. This innovative new textbook will help develop these strategies and interpretive skills by recognizing and explaining the open and multi- dimensional qualities of the poetic text. At the same time, Reading Poetry is theoretically informed and up-to-date, taking into account the wealth of theoretical speculation about poetry, and literature in general, the twentieth century has produced. A wide spectrum of examples has been included, ranging from fifteenth-century lyrics and ballads to contemporary poetry from all over the English-speaking world.

From the Back Cover

“Reading Poetry stands out from other introductions to poetry in its brilliant combination of practical guidance and theoretical savvy. Students who use this book will be helped to enjoy and discuss poems, introduced to some of the major varieties of poetic criticism, and invited to reflect on what makes poetry important today.”

Professor Derek Attridge, University of York

Reading Poetry is a comprehensive, accessible and extremely effective guide to the arts of reading, analysing and enjoying poetry. From the opening chapter, which examines assumptions about what poetry might be, successive chapters map a path that takes the reader from the basics of simple appreciation to an understanding of the often complex theoretical and historical contexts that enrich any appreciation of poetry.

While emphasising the importance of close textual analysis – or reading in slow motion – the authors clearly demonstrate how an understanding of form, language and context can combine to produce sophisticated and original responses to all types of poetry.

The second edition of this best-selling book includes a number of developments that make it more user-friendly for the individual reader and more suitable as a stand-alone textbook for university courses in poetry. The poetic examples have been increased to 150, ranging from the 14th to the 21st century, and clear guidance is provided on further reading in footnotes and an expanded bibliography. This edition includes a new chapter on Post-Colonial Poetry, a substantial increase in the number of end-of-chapter exercises, and a comprehensive Glossary of Poetic Terms. The aim of the book is preserved from that of the first edition, namely to enhance readers’ literary and scholarly competence, and to restore enjoyment to the reading of poetry.

Tom Furniss is Senior Lecturer in English Studies at the Universityof Strathclyde in Glasgow, where he has spent nearly twenty years teaching poetry, literary theory and Romanticism. Michael Bath taught English literature for more than 30 years at the University of Strathclyde, where his research interests centred on relations between literature and the visual arts, emblems and iconology. 

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Excellent book
By T. Allen Culpepper
This is absolutely the best textbook available on this subject. It's a big book, and not an easy one, but it offers substantial rewards to anyone who reads it attentively. It worked beautifully for my Introduction to Poetry course, and I would highly recommend it to anyone who wants to become a more proficient reader of poetry.

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Minggu, 18 Mei 2014

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  • Sales Rank: #6064145 in Books
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Designing with Geosynthetics (5th Edition), by Robert M Koerner

Geosynthetic materials have entered the mainstream in the professional arena and are no longer considered new construction material. Professionals need to keep up with the nuances of how geosynthetics work. Emphasizes design by function; overviews all types of geosynthetics, with stand-alone units on particular materials. Uses S.I. units for all problems and examples. Expands coverage of containers and tubes in the geotextile chapter. Discusses walls and slope design, including seismic analysis, in the geogrid chapter. Treats wet landfills, agricultural waste, waste stability, and dam waterproofing in the geomembrane chapter. Discusses new products and related performances in the geosynthetic clay liner chapter. Discusses new products and related behavior, including fiber reinforcement and wall drainage, in the geocomposite chapter. Adds a completely new chapter on geofoam. A useful reference for transportation, geotechnical, environmental, and hydraulics professionals and engineers.

  • Sales Rank: #1326972 in Books
  • Published on: 2005-04-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.50" w x 7.18" l, 2.86 pounds
  • Binding: Hardcover
  • 816 pages

From the Publisher
Koerner's Third Edition keeps pace with the fast-moving field of geosynthetics by updating coverage to include the latest materials and design techniques. It examines all types of geosynthetics-geotextiles, geogrids, geonets, geomembrane, and goecomposites with an emphasis on design-by-function.

From the Back Cover
Still the only book on geosynthetics, this updated edition covers the latest materials and design techniques. Emphasizing design-by-function, it examines all types of geosynthetics, including geotextiles, geogrids, geonets, geomembranes, and geocomposites. Introducing theory and techniques of chemical analysis for identifying polymer types and properties, the book covers a wide range of applications, including geotextile wall design, geogrid wall design, geomembrane side slope design, and GCL hydraulic barrier design. The book also covers geosynthetic clay lines (GCLs) and devotes an entire chapter to geopipe. It introduces design, testing, and selection of geosynthetics on a generic, rather than product-specific basis. It also provides an updated Product Reference Guide (through the Industrial fabrics Association International). The fourth edition of Designing with Geosynthetics has been revised to include the most up-to-date information as well as new examples covering transportation and geotechnical applications. An essential reference on geosynthetics for all practicing engineers.

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Classical book describing basic principles of civil and environmental engineering design using geosynthetic materials. Well structured and clearly written with recent updates. A number one book for civil and environmental engineers.

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Operational Amplifiers with Linear Integrated Circuits (4th Edition), by William D. Stanley

Focusing on applications, this book develops readers' ability to analyze, model, and predict the performance of operational amplifiers and related linear circuits, as well as design the various circuit functions to perform specified operations. It studies a few widely used and time-tested devices in detail, and builds upon basic principles to establish a foundation for understanding and adapting to new technology and developments. Chapter topics cover general amplifier concepts; ideal operational amplifier analysis and design; operational amplifier ac/dc effects and limitations; linear operational amplifier circuits; comparators; oscillators and waveform generators; active filters; rectifier, diode, and power circuits; analog-to-digital and digital-to-analog conversion; miscellaneous circuits. For practicing design engineers, technologists, and technicians.

  • Sales Rank: #1037407 in Books
  • Published on: 2001-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.50" w x 7.50" l, 2.56 pounds
  • Binding: Paperback
  • 674 pages

From the Back Cover

Designed for both introductory and upper level courses covering Operational Amplifiers and Linear Integrated Circuits, Stanley's text focuses on developing the student's ability to analyze and design various circuit fluctuations. The focus is on applications, not rote memorization.

The main features of the book include:

  • Complete updating of the newer devices used in industry and available in the market.
  • Inclusion of Electronics Workbench/MultiSim software example problems at the end of each chapter.
  • End-of-chapter problems are divided into three categories—drill, derivation, and design—to help students fully understand and practice the various problems they will encounter in the workplace.
  • Most chapters include additional laboratory exercises to provide sufficient work for the core of a supporting library.

Excerpt. © Reprinted by permission. All rights reserved.
PREFACE

As in the first, second, and third editions, the primary objectives of this book are

  • To establish the general methods for analyzing, modeling, and predicting the performance of operational amplifiers and related linear integrated circuits
  • To develop the reader's facility in designing realistic circuits to perform specified operations
  • To acquaint the reader with many of the common circuit configurations and enable the student to select available devices to use with these circuits

All or portions of this book are usable for at least the following groups:

  • Upper-division engineering technology students (junior or senior level)
  • Lower-division engineering technology students (following the basic course sequence in discrete electronic devices and circuits)
  • Applied engineering students
  • Practicing design engineers, technologists, and technicians

Engineering or engineering technology students who have had a course in circuit analysis employing frequency response analysis methods and a course in calculus should be able to cover the entire book. Calculus is used where appropriate, but virtually all results and design approaches can be understood without calculus. The large number of example problems and exercises make the book also valuable for self-study by practicing technical personnel.

The primary emphasis throughout the book is on developing the reader's facility for analyzing and designing the various circuit functions, rather than on simply presenting a rote collection of existing circuits or showing numerous wiring diagrams for specialized integrated circuit modules. This establishes a foundation for understanding new developments as they arise. Since new devices constantly appear on the market and existing ones quickly become obsolete, we study only a few devices in detail. Those selected for this purpose have withstood the test of time and are widely used. Because the best way to adapt to new technology is to have a firm grasp of the basic principles, this book has been organized toward that goal.

Chapter 1 provides some general models of linear amplifier circuits, definitions, and parameters. Students often miss these general concepts from the detailed material covered in basic electronic courses. This common deficiency is a case of the classical pattern of "not seeing the forest for the trees," and the material provided here will help solve that problem.

Chapter 2 begins the analysis and design of operational amplifier circuits using ideal model assumptions. While the reader will not be able to see all the limitations of the circuits at this point, actual workable designs can be produced almost immediately from the information in this chapter, including amplifiers of various types, current sources, summing circuits, and various other applications.

Chapters 3 and 4 are devoted to the practical limitations of realistic operational amplifiers and the associated effects on operating performance. Chapter 3 emphasizes do effects, including the effects of finite gain, finite input impedance, nonzero output impedance, input offset voltage, and input bias currents. Chapter 4 emphasizes ac effects, that is, those effects that are frequency dependent. Primary topics include closed-loop bandwidth relationships, effects of slew rate, and common-mode rejection. Chapter 5 considers additional linear applications, including frequency-dependent circuits such as integrators, differentiators, and phase shift networks. Instrumentation amplifiers and operation with a single power supply are also included.

Comparator circuits form the basis for Chapter 6, including both open-loop comparators and comparators with feedback (Schmitt triggers). Along with the use of general purpose op-amps, a representative dedicated IC comparator (LM311) will be considered.

Timers and oscillators are the topics of Chapter 7, which covers both analysis and design of an op-amp multivibrator and an op-amp square-wave/triangular wave generator. The Barkhausen criterion is introduced, and the Wien bridge and phase shift oscillators are included. The IC circuits considered are the 555 timer and the 8038 function generator chip.

Chapter 8 is devoted to active filters, with emphasis on the widely used Butterworth function for low-pass filters and the standard resonance characteristic for band-pass filters. Finitegain low-pass and high-pass filter design data are included, and we also discuss the infinite-gain band-pass circuit design. The last portion of the chapter deals with the statevariable filter, for which low-pass, band-pass, high-pass, and band-rejection filters can be realized. After completing this chapter, the student should be able to design and implement a variety of practical active filters.

Rectifier, diode, and power supply circuits form the basis for Chapter 9. Precision rectifier, holding, and limiting circuits are covered in the first part of the chapter, and the latter part of the chapter is devoted to power supply circuits. The development of the voltage regulator concept is included with this material. We also consider the use of a representative IC regulator (LM117/317).

Chapter 10 considers the timely topic of data conversion, which we may think of as the bridge between the analog and digital worlds. We study both digital-to-analog and analog-to-digital conversion and some of the most common circuits. The concepts of voltage-to-frequency and frequency-to-voltage conversion are also discussed. Various miscellaneous topics that do not fit the objectives of earlier chapters appear in Chapter 11, including multipliers, logarithmic amplifiers, and phase-locked loops, along with application of an IC phase-locked loop (NE/SE565).

Changes in the Fourth Edition

The general organization of the text has remained virtually the same since the second edition. Some major changes were made then, but it appears that the information organization and flow have been quite satisfactory since that point.

The most significant change for the fourth edition has been the replacement of PSPICE example problems at the end of most chapters with Multisim (Electronics Workbench) example problems. Multisim has made great strides in recent years and is now being widely used in engineering and engineering technology programs to model a variety of linear and nonlinear circuits. It is very user-friendly, and students can acquire proficiency in its operation very quickly. Moreover, users develop the circuit through the creation of a schematic diagram. Virtual instruments are available and their functions closely parallel that of real instruments. Thus, Multisim is very close to being a true "virtual laboratory."

The Multisim examples are provided in the last sections of the chapters and generally utilize circuits that were analyzed or designed in the chapter. However, these sections may be omitted without loss of continuity for instructors who do not wish to cover this subject.

Appendix E provides an abbreviated treatment of the basic concepts of schematic creation using Multisim for readers not having this background. Multisim example problems throughout the text provide further information about the use of various functions and models.

Problems

Most chapters contain end-of-chapter problems organized in three categories: Drill, Derivation, and Design. Drill problems make up the largest category. These are designed to test the reader's understanding of chapter principles. Problems are organized loosely in groups of two based on similar principles. Based on this grouping, answers to selected odd-numbered problems appear at the back of the book. Derivation problems require the reader to develop some of the results given in the text or to extend the results to new situations. Design problems require the reader to determine element values for a known circuit or a new circuit that will meet some prescribed specifications. Some of the design problems have a unique solution; others have more than one possible solution. Answers accompanied by an asterisk (*) are typical solutions; other valid solutions may be possible.

Laboratory Exercises Most chapters also provide additional laboratory exercises, with a total of 52 exercises in Chapters 2 through 8. These exercises will provide sufficient work for the core of a supporting laboratory. It is assumed that the student who uses the laboratory exercises will already be familiar with basic test equipment and instrumentation such as voltmeters, ammeters, and the oscilloscope; consequently, statements such as "measure the voltage . . . " often appear without regard to the instrument type or procedure.

Safety Although most of the laboratory exercises use relatively low voltages, there are always risks associated with the use of electrical equipment. Consequently, you should always follow the safety procedures learned in basic laboratory courses. You should have this instruction before you perform the exercises in this book.

Equipment

Minimal equipment is required to perform the exercises, and equipment is of the type normally found in most basic instructional laboratories. Further, the exercises have been designed to provide as much flexibility as possible. To provide full coverage, the following units should be available:

Circuit Trainer or "Breadboard" A variety of solderless units are available, some of which also provide suppliers and a function generator. Obviously, hookup wire is also required.

Oscilloscope Any modern dual-trace general-propose oscilloscope should be adequate. In fact, a single-trace oscilloscope can be used, but phase shift measurements are somewhat more involved. For brevity, the oscilloscope is referred to in some exercises as a CRO (cathode-ray oscilloscope).

Multimeter A general-purpose multimeter capable of measuring both do and ac voltages and currents as well as passive resistance is appropriate. Either a digital or an analog instrument can be used. References to the multimeter in laboratory exercises are often made on the basis of the function involved; for example, "use a voltmeter to measure. . . ."

Function Generator The desired unit should provide the choice of a sine wave, a squarewave, or a triangular wave over a frequency range from several hertz to at least 100 kHz. The output amplitude should be adjustable from zero to a level of at least several volts. A variable do offset, which may be used in conjunction with the output signal or as a separate adjustable do voltage, is a desirable feature.

Dual Power Supply The unit should provide either two fixed voltages of + 15 V and -15 V or adjustable voltages that can be set at these levels.

Fixed 5-V DC Voltage This standard digital TTL level is available in many circuit trainers and is convenient for several of the exercises.

Oscilloscope The oscilloscope is probably the most important single instrument in measurements associated with linear circuits. In many exercises, you will be asked to sketch the forms of various waveforms and to show their time relationships. In virtually all cases, you should employ do coupling for this purpose. This is important because the base line of the trace represents a zero-voltage level, and it will be necessary to measure voltages above and below this level. The ac coupling input position should be used only when it is desirable to amplify a small time-varying component without the do level forcing the signal to shift off the screen.

To show the time relationships, it is necessary that you establish a time reference on the trace. Often, the input voltage is the logical choice for this reference. For example, if the input signal is a sine wave, the beginning of a cycle is an ideal point at which to establish the reference.

Suppliers Resistors The actual number of different values required is modest, but for maximum flexibility, an assortment of resistors with 5% tolerances in 1/4- or 1/2-W sizes covering the range from about 100 W to 5.6 M W is recommended. The most popular size is 10 kW, and you will need a minimum of five of that size.

Capacitors An assortment of nonpolarized low-tolerance capacitors such as polystyrene or mylar in the range from about 0.001 mF to about 0.1 mF is recommended for critical applications such as active filters, oscillators, phase shift circuits, and so forth. In addition, larger-value polarized electrolytic (e.g., tantalum) and smaller-value disc ceramic capacitors may be used in noncritical bypass applications.

Potentiometers A few potentiometers are desirable (and sometimes necessary) when a resistance must be adjusted to an exact value. Although the ranges are flexible, some suggested values are 0-1 kW, 0-10 kW, and 0-100 kW.

Electronic Components You will need these electronic components:

(5) 741 Operational amplifiers
(1) 311 Comparator
(1) 555 Timer
(1) 317 Regulator
(2) General purpose diodes

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By Jose Cortez
I originally bought this textbook because it was advertised as a hardcover textbook. The first textbook that was shipped to me was a paperback textbook. The replacement textbook was promised as a hardcover textbook, but again they sent the paperback version again.

0 of 0 people found the following review helpful.
Pretty good
By Miranda Wadleigh
Not bad. Bought this for one of my electrical engineering classes - Electronic Applications. Book was easy to understand and index in the back was very helpful.

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Senin, 12 Mei 2014

[B134.Ebook] Free PDF Frida Kahlo: Her Photos, by James Oles, Horacio Fernandez, Masayo Nonaka, Laura González, Mauricio Ortíz, Jesús Silva

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Frida Kahlo: Her Photos, by James Oles, Horacio Fernandez, Masayo Nonaka, Laura González, Mauricio Ortíz, Jesús Silva

When Frida Kahlo (1907-1954) died in 1954, her husband Diego Rivera asked the poet Carlos Pellicer to turn her family home, the fabled Blue House, into a museum. Pellicer selected some paintings, drawings, photographs, books and ceramics, maintaining the space just as Kahlo and Rivera had arranged it to live and work in. The rest of the objects, clothing, documents, drawings and letters, as well as over 6,000 photographs collected by Kahlo over the course of her life, were put away in bathrooms that had been converted into storerooms. This incredible trove remained hidden for more than half a century, until, just a few years ago, these storerooms and wardrobes were opened up. Kahlo's photograph collection was a major revelation among these finds, a testimony to the tastes and interests of the famous couple, not only through the images themselves but also through the telling annotations inscribed upon them. Frida Kahlo: Her Photos allows us to speculate about Kahlo's and Rivera's likes and dislikes, and to document their family origins; it supplies a thrilling and hugely significant addition to our knowledge of Kahlo's life and work.

  • Sales Rank: #255219 in Books
  • Brand: Brand: RM
  • Published on: 2010-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.22" h x 1.49" w x 6.71" l, 3.40 pounds
  • Binding: Hardcover
  • 524 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

6 of 6 people found the following review helpful.
So many photos
By Clicker
Seems like hundreds of pictures, almost all are interesting and historically meaningful. I felt like I got into Kahlo's basement, stumbled on a box of old photos, and made off with it. It seems more like a stack of family photos than professional shots until you get into it and find photos by Madotti, Weston, Man Ray and the like. And the photos themselves include eeverything from family snapshots, to Christmas cards, to formal pictures of statesmen. From pictures of Madotti and Weston to Trotsky, to Rivera and Kahlo (of course), to the unknown (including a murdered striker). Read a biography of Frida Kahlo and most of the characters will be found in photos in this book. It's well worth the trip if you like photography, history (of that time), Kahlo/Rivera, and art.

15 of 18 people found the following review helpful.
Kahlo Photography collection
By Misterbump
I borrowed this book from the local college library to check it out. I find it a great book of photos -black and white and sepia . Along with written articles before each section. 401 photographs. I am ordering my copy today.

4 of 4 people found the following review helpful.
If you like Frida Kahlo you will love this book
By kitty kat
The photographs in this high quality book give new insight into Frida Kahlo's life and times. Black and white, sepia and gray photographs abound. We see Frida, her family, her friends, the home she loved, the places she visited and animals she adored. It's truly wonderful book. Highly recommended.

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Frida Kahlo: Her Photos, by James Oles, Horacio Fernandez, Masayo Nonaka, Laura González, Mauricio Ortíz, Jesús Silva PDF
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Selasa, 06 Mei 2014

[P896.Ebook] Ebook Download Memory Drawing: Perceptual Training and Recall, by Darren R. Rousar

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Memory Drawing: Perceptual Training and Recall, by Darren R. Rousar

From the Introduction:If you think about it, all life drawing and painting is at some point being done from the artist's memory, even if that memory is only a few seconds old. Every time the artist takes their eyes off of the model or scene and looks at their paper or canvas, their visual memory is involved. What if that artist's visual memory was highly trained? That artist might need the model for a shorter period of time, or she might have a more productive time when the model is in pose. He might be better at painting all of the fleeting effects that nature throws at us when we are landscape painting en plein air.
Although I encourage you to consistently engage in memory-drawing practice, it should not supplant your regular art exercises. Memory-drawing ought to be done in addition to your regular art training, not instead of it. In a perfect world it would be integrated into traditional arts instruction, but the reality is that you will most likely be training your visual memory on your own.
Memory Drawing: Perceptual Training and Recall exists to guide you in doing just that. It will also help you improve your abilities to remember fleeting effects, seize essentials, and even enhance your imagination.

  • Sales Rank: #395499 in Books
  • Published on: 2013-03-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .30" w x 7.01" l, .56 pounds
  • Binding: Paperback
  • 138 pages

Review
"Much of the training in contemporary academic ateliers focuses on understanding and interpreting what you see in front of you. At the moment, there's a growing interest in supplementing those skills with the training of memory and imagination . . . [Mr. Rousar's] book is thoughtfully and clearly written, and will benefit both teachers and students interested in improving their powers of memory."-James Gurney, Artist and author

From the Author
Why should an artist bother to train their visual memory, and what does that even mean? Can't I just paint what's in front of me, or from a photograph, or from my imagination? These are the kinds of questions I get from students when I bring up the subject of memory drawing. The simple answer is, of course you can. However, having a well-developed visual memory can be of immense help to your from-life work as well as when working from your imagination.
Whether the end-goal is drawing, painting or sculpting directly from life or from your memory, memory drawing begins with an intentional effort to visually observe the subject. How well the subject is remembered is directly related to how well it is observed. In other words, artists need to become expert observers in order to have exceptional visual memories. This is true for many fields and very often the memory skill of experts is geared towards their expertise. In a sense, they expect to see what they are trained to see. They look for it.
As the subtitle of the book alludes to, this book is as much about learning to perceive what you see as it is about memory drawing.
Memory Drawing: Perceptual Training and Recall more fully answers the above questions and provides a curriculum for training your abilities to visually perceive and training your visual memory.

From the Back Cover
All drawing and painting from life is at some point done from memory, even if that memory is only seconds old. An artist's ability to recall something previously seen is all the more important when their subject is no longer in view. Da Vinci, Corot, Degas, Whistler, and Inness wrote about it. In fact, Inness claimed that many of his best landscape paintings were done from memory. Memory Drawing: Perceptual Training and Recall teaches you how to visually perceive and accurately recall those perceptions. It will also help you improve your abilities to remember fleeting effects, seize essentials, and even enhance your imagination.

Most helpful customer reviews

21 of 23 people found the following review helpful.
The only modern book on the subject
By Gareth Thomas
What a loss to both to art & society that we are not all taught this in school as children. Finally a modern well written guide to visual memory & visualization training that is not based upon intangible methods like meditation but practical art instruction.

13 of 14 people found the following review helpful.
Valuable information
By SKR 52
There is no question that artists of the past used memory training as a means of study. The author clearly shows the historical and contemporary value of training one's visual memory and clearly explains the benefit to the serious student. Misunderstanding the purpose for memory training leads to a poorly reasoned attitude toward the practice. From the writings of Degas to Boisbaudran, training the visual memory is extolled and in Rousar's book both the importance of the practice historically and its practical use today are well defined.

6 of 6 people found the following review helpful.
Helpful exercises
By Reviewer
The author does seem to have a slight bias toward a non-constructive approach to perception and drawing; but he still manages to keep the recommendations in this book fairly balanced. He certainly doesn't say that the perceptual and memory training advocated in the book is the end-all-be-all for every artist. Rather, he suggests that this kind of training is useful to artists with widely varying goals and approaches, which seems likely to be the case. The book is clearly written, and it includes both background material and lots of actual exercises along with the pictures required for them, and suggestions for creating your own exercises when you are finished with his. For all that, it's also not a very long book. Definitely a keeper.

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